Two pop culture addicts' snarky musings…

Posts tagged ‘mark salling’

Welcome back, “Glee.” It’s good to see you again.

The day that Gleeks all over had been waiting for finally arrived: Super Bowl Sunday. That’s right, the Super Bowl. And it wasn’t because they had a pool set up between the Packers and the Steelers, no. It was because after the football game came something much better: a super-special episode of “Glee.”
Now, in the past two years of being a fan of this show, I have learned to be cautious of the magical super-special episodes, mainly because while they have one or two of blow-your-mind moments, they are for the most part not that great.
Last Sunday’s episode, however, broke that pattern. This episode reminded me, and everyone who watches the show, what this show is about. It’s about friendship, sticking up for them because it’s the right thing to do, not because it will make you look cool or not. And most importantly, about being true to yourself.
Granted, this episode had its disappointments just as every episode of the show does, but for the most part it finally felt like “Glee” was back.
Last Sunday’s episode focused on the fracturing within the football team due to their constant bullying of the members also in the glee club, as well as member Karofsky being the reason  Kurt (Chris Colfer) had to transfer to a school with a strictly-enforced no-bullying rule.
When the fighting actually costs the team a game, the coach decides to force the entire team to join the glee club for one week in able to remind them they are a team and need to be united.
This leads to one of the most epic performances in “Glee” history: a mash-up of the Michael Jackson classic “Thriller” and the Yeah Yeah Yeah’s “Heads Will Roll.” The performance also aids to one of the best acting performances of the night by Max Adler, who brings the closeted-gay, homophobic football player Dave Karofsky to life.

The cast of "Glee" performs "Thriller/Heads Will Roll"

We finally got to see the potential of what a good guy Karofsky could be, if he just stopped being afraid of who he is. And, as with the entire bullying arc focusing on Karfosky, Kurt and Kurt’s potential beau Blaine Anderson (Darren Criss), it was a moment for the kids watching the show who are struggling with their sexuality or just being comfortable with themselves, if they just let go of their fears they had the chance to be truly happy.
This episode also lead to a lot of character development with other characters, such as Finn Hudson (Corey Monteith),  and we finally got to see him be a leader in both groups, and helped in bringing them together, and some nice scenes with his ex-girlfriend Quinn (Diana Argon). But it was an even bigger character moment for Finn’s former best friend, Puck (Mark Salling), who has been in the background most of this season. In truth it was him who brought back the football team when they decided they didn’t want to embarrass themselves by performing the “Thriller” mashup at the halftime of the most important football game of the year.
When the show started two years ago, Puck was just like Karofsky: he picked on the geeks, he cared only about what others thought of him and he thought the glee club was a joke. But in the past few episodes, he has shown exactly how much he has grown: he loves glee club and doesn’t care who knows it, he’s protective of the people he used to pick on and he’s realizing his former habits aren’t good ones.
While every fan will have their favorite and their least favorite moments in this episode, there is one thing we can all agree on: “Glee” is finally back.

‘Glee’ breaks hearts and boundaries

As Mel said, I’ve been annoying anyone with ears (and eyes, just ask my LiveJournal friends) about my excitement over last night’s episode of “Glee.” And because it was so much more than I ever expected, I couldn’t wait to until my weekly review to share my thoughts. I do apologize if any of the following sounds disjointed, I’m still getting over a 24-hour fever/bug and my  brain is still on standby.

Before last night’s episode of “Glee” (entitled “Never Been Kissed”) aired, all anyone could talk about was newcomer Darren Criss and whether or not his openly gay character Blaine would be Kurt’s first boyfriend, or at the very least his first kiss. And today the name on everyone’s lips is Max Adler, whose Glee alter ego Dave Karofsky aggressively took the title of Kurt’s first boy kiss for himself.

Up to now, Karofsky had only been known as the two-dimensional jock bully who slushied various members of the Glee club,  and recently set his bullying tactics on the school’s only openly gay student, Kurt (he actually came this close to beating Kurt up in “Theatricality” last season).  After literally being pushed around by Karofsky one too many times, and bolstered by the mantra of “courage” sent by Blaine via text, Kurt stands up to his tormentor, calling him a “scared little boy intimidated by how extraordinarily ordinary [he is].” Karofksy’s response? He kisses Kurt, outing himself to both Kurt and himself, before punching the lockers and running away. He of course, denies it happens and his abuse on Kurt continues.

The kiss that shocked a viewing nation. Cap courtesy of rawr-caps.net

What was beautiful about this moment was not only the shock value (it was the kiss heard ‘round the world and if the world was anything like my living room, it was repeated cries of “Oh my God!”) but the message it sent to teens and adults like Karofsky, hiding behind what it expected of them because they are afraid or curious about their feelings for the same sex. The creators of this show know exactly how many people it reach and know they can use it to help those who are watching it.

This episode is very timely, and I’m sure that is no accident, given the nation’s attention on the recent increase in suicides in gay teens due to bullying. And, according spoilers, this won’t be the end of the bullying storyline for Kurt and the revelation of Karofsky’s closeted desires adds another sad yet interesting level to said storyline.

The main reason this moment, and the entire episode, worked was because of the amazing actors: Chris Colfer and Max Adler. The pain that flashes in Karofsky’s face when he shoves Kurt the day after the kiss and the defeated confession by Kurt to Blaine that “until yesterday [he] had never been kissed by a boy,” were heartbreaking and perfect. While I don’t look forward to the abuse Kurt is going to suffer at Karofsky’s hands, I am looking forward from the amazing performances by the two actors.

Kurt’s storyline wasn’t the only one causing tears last night. Puck’s return from juvie is played off as nothing by the teen rebel but we see exactly how much pain he is in when in the principal’s office, confronted by the principal, Mr. Shue and his parole officer, he reacts violently against going back to the teen penitentiary with the heart aching cry “No one cares about me,” before running away. Mark Salling has seemingly come out of nowhere, taking Puck from the sex-addicted carefree kid to the young man dealing with the loss of his child and the taste of what is to come if he continues down his destructive path.

Also tugging at heartstrings last night was Dot Jones as football coach Shannon Beiste. She shows her vulnerable side to her only faculty friend, Mr. Shuester, when she reveals she’s never been kissed. This after the humiliation of discovering the Glee jocks (and Tina) are using images of the coach to “cool off” when making out with their significant others. It was a well-acted scene by Jones and Matthew Morrison, though I felt that like Kurt, Beiste’s first kiss was stolen by someone who had no romantic feelings for her.

The only problem with a groundbreaking episode like this is that episodes like next week’s, in which guest star Gwyneth Paltrow reportedly has three numbers, look superfluous in comparison. However, this is “Glee” and while like its star Colfer its strong suit is starting to shine in its dramatic moments rather than its comedic, we can’t forget it is still a musical comedy. Fluff episodes are to be expected, however I think after last night no one will ever deny that “Glee” has cemented its place in television history.

Whew! Glee may be getting back on track…

I’ll admit, the first few episodes of Glee’s second season have been mediocre at best, exaggerated and ill-conceived at worst (laughing gas induced Britney Spears hallucinations anyone?). However, if tonight’s episode and the upcoming Rocky Horror Picture Show themed episode are any indication, the show may finally be getting back to the music.

Tangled in a web of contrived teenage drama, the show seemed to have forgotten the road to nationals, leading many concerned fans to wonder what Ryan Murphy’s vision for this season is. Other than his quite obvious love for Lea Michele (a love that a good majority of the fan base doesn’t share), the first few episodes lacked a direction. However, with last nights duets theme, they seem to be wandering toward a purpose.

Here are a few things last night’s show offered up that bring a glimmer of hope for the rest of the season:

**While I was mad that Finn was such a jackass to Kurt about the new kid, I got to thinking about it and I actually enjoy the idea that the gay/straight issue on this show is not a black and white one.  Though we find ourselves rooting for the gay character, in this case, Kurt, as the underdog, it’s nice to see Kurt being treated also as a human being rather than a martyr. He’s not perfect and he can make mistakes, not because he is gay or straight but because he’s human – which is the most important message of all.

**Sam is a delightful edition to New Directions with the talent and adorability to

Chord Overstreet, Glee’s new character, Sam

counteract the ridiculousness of Santana and Brittney. He also speaks Na’vi, which is awesome on a whole ‘nother geeky level. I’m glad to see him sticking around, and while I was hoping for him to be Kurt’s boyfriend, I like his instant spark with Quinn. Here’s hoping Ryan doesn’t let Rachel’s overwhelming presence stifle a better storyline.

**Rachel has her moments where she remembers she is not a broadway machine, but an actual human being, which makes her a hundred times more likable and more interesting to boot. Her reaching out to Kurt was a brilliant bit of character writing and certainly unexpected.

Now, here are a couple of things still hanging out in limbo:

**What was that nonsense with Santana and Brittney at the beginning of the episode? I’m all about shock value, but it was so random and out of place. If they had any redeeming qualities what so ever, it might not be so random, but for right now, ew…

**I’m not adding fuel to the Mark Salling rumor mill because until we know the real story, there’s no need to. I’ll just say, it’s not the same without him and he needs to come back.

**The adults seem to have wandered away from their posts. Sue popping her head in for a snarky comment or two and Mr. Shue acting all teacher like for two seconds does not a storyline make. Will, Sue, Emma and Teri all need to have real storylines not involving their teenage cohorts.

Here’s hoping Rocky Horror delivers. You can preview the track list on iTunes. I’ll leave you with a preview. Have you brushed up on your Timewarp? 

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